Kawai Digital Pianos | Updated Review & Consumer Report | September 1, 2024 | All Kawai Digital Pianos including the ES120, ES520, ES920, CN201, CN301, CA401, CA501, CA701, CA901, DG30, NV5S, NV10S, etc.
*SPECIAL UPDATE: For the month of September or when supplies run out at Kawai warehouse, whichever comes first, Kawai currently has an instant “factory rebate” on every Kawai digital model off the regular internet discount price, which they rarely do.
If you decide that any of the Kawai digital pianos on this list will best fit your musical needs and budget, then before you purchase anything anywhere, contact us right away because not only can we help you get that instant factory rebate, but also an extra discount beyond that one!
The Kawai piano company was founded nearly 100 years ago in 1927 and its international headquarters is in Hamamatsu, Japan which is where its founder, Koichi Kawai was born back in 1886. Kawai’s US headquarters is in the city of Rancho Dominguez, Southern California.
KAWAI PORTABLE DIGITAL PIANOS
So when it comes to portable digital piano from $900 to $1900, you cannot go wrong with these very popular Kawai ES models and we highly recommend them. You can read our detailed reviews of these 3 models at the following links: Kawai ES120 Review Kawai ES520 Review Kawai ES920 Review
PRO STAGE & STUDIO DIGITAL PIANOS
Depending on the room size you are trying to fill with sound, good stereo monitors may only cost you and extra approx $300 to $400 or so. Those powered monitors make the MP11SE piano sound as good if not better than many furniture cabinet pianos that cost more money than the MP11SE. If you are playing the MP11SE in a very big room, venue, and large space in general, then a larger and more powerful external sound system would likely be necessary. The MP11SE is a bit heavy at approx 75 lbs so it is not easy to carry if you should need to do that.
KAWAI FURNITURE CABINET DIGITAL PIANOS incl CN201, CN301, CA401, CA501
CONCERT ARTIST CA701 & CA901
The newer Concert Artist CA701 & CA901 furniture cabinet models have not been out that long and have been upgraded from the previous models including new and more functional cabinet designs and construction, upgraded internal speaker system, new piano sound engines, updated key actions, and other impressive upgrades. Kawai still has their very popular and more realistic “wood key actions” in these 2 Concert series models called Grand-Feel III. This key action moves smoothly, are more refined, are quieter, and really give you a sense that you’re playing a grand piano with its even longer extended all-wood keys.
Discount pricing for the CA701 is $4899 for the matte rosewood, black, and white cabinet finishes, and $800 more for the polished ebony version.The CA901 is $6399 for the matte rosewood finish, black or white finish, and $800 more for the polished ebony finish at $7299. The new CA701 and CA901 key action and piano sound engine are arguably the best there is in their respective price ranges,, although the Casio Grand Hybrid models (GP-310 & GP-510) definitely give the Kawai models a “run for the money” with regard to key action movement and response.
Another question that people have concerning the CA701 is, does the CA701 offer a noticeably more realistic piano playing experience as compared to the CA501? The answer would be yes! I have played both models, and like me, if you have some good experience playing real high quality acoustic grand pianos then there is a noticeable difference between the CA701 vs the CA501 with regard to getting much closer to the piano playing experience of a real high quality grand piano. The keys are longer and more balanced on the CA701, the stereo grand piano sounds are more natural, the internal speaker system puts out the piano sound more naturally, and even the sustain-decay time for the damper pedal is more natural.
Of course there are more digital features on the CA701 as compared to the CA501. But it’s the more natural piano key action and piano sound that does give the CA701 a noticeable edge over the CA501 ad that’s why the CA701 is $900 more. Is it worth the extra investment? Yes, it is…but only if you can come up with the extra money. But if you are looking at this as a “long term” purchase to keep for many years and you want to play piano at the highest possible level in this price range, then I would recommend to go for it and get the CA701 if you can. Otherwise the CA501 is an excellent choice and also a very good long term purchase.
The CA901 is the upgraded version of the CA701 but those 2 models share the same key action and the same digital features although the cabinet and sound system do differ between the CA701 and CA901.
The upgraded piano sound engine in these 2 new models is using a combination of the latest physical modeling technology and sampling combined. This type of piano sound technology gives a very immersive authentic sounding piano playing experience, even to the most demanding players based on my playing experience with both the CA701 and CA901. Utilizing an all new and improved Kawai internal speaker and amplifier audio system with better sound dispersion, these 2 new models have impressive internal sound systems that are difficult to beat.
The CA901 has an all real “wooden soundboard” in the back of the piano to further enhance the piano sound. It adds “organic resonation” to the piano sound with transducer microphones attached to that soundboard. The resulting additional piano sound vibrations makes the CA901 noticeably more authentic than the CA701 which does not have that soundboard. No other top name digital piano brand or model has this type of “organic piano sound vibrations” coming from a wooden soundboard that regular acoustic pianos have. This really gives the CA901 a more “hybrid” nature to it. That’s one of the reasons the CA901 costs quite a bit more money than the CA701.
KAWAI NOVUS NV5S & NV10S
KAWAI DG30 MINI DIGITAL GRAND PIANO
The DG30 mini piano itself is relatively light at just 174 lbs and it not only sounds like a piano but has an enjoyable key action to play and is very responsive and balanced. This model also has quite a few impressive functions & features and comes in a polished ebony high gloss cabinet. If you like the appearance of a mini grand piano, you should definitely consider the DG30. It’s by far the more natural playing digital mini-grand of the few out there that are offered, however it is a bit pricey…but worth it. For more detailed info on the DG30, please read my detailed review at the following link: Kawai DG30 Review
PIANO SOUND & POLYPHONY
PIANO KEY ACTIONS
That’s one big thing I admire about the Kawai piano company…all of their piano models are impressive in their price range and I enjoying playing them. It’s just a matter of which one is right for you.
PEDALING
EXTRA “BELLS & WHISTLES”
The Kawai CA501 at $3999, which in my opinion is a very impressive model for that price and arguably superior in key action and piano sound authenticity as compared to Yamaha & Roland in this price range, has a button controlled user interface display screen like some of the Yamaha Clavinova digital pianos, but it is even more intuitive in the way it works.
IMPORTANT SHOPPING TIPS
FINAL THOUGHTS
KAWAI NV10S, NV5S, CA901, CA701 COMPARISON CHART
SPECS |
NV10S |
NV5S |
CA901 |
CA701 |
Key Action |
Millennium III Hybrid Grand |
Millennium III Hybrid Upright |
Grand Feel III |
Grand Feel III |
Downweight Middle C/C# |
53 grams on C 57 grams on C# |
59 grams on C 60 grams on C# |
54 grams on C 59 grams on C# |
54 grams on C 59 grams on C# |
Upweight Middle C/C# |
32 grams on C 30 grams on C# |
35 grams on C 37 grams on C# |
37 grams on C 43 grams on C# |
37 grams on C 43 grams on C# |
Keys |
Real grand all wood keys |
Real upright all wood keys |
All wood keys |
All wood keys |
Hammers |
Graded ABS hammers |
Graded ABS hammers |
Metal graded weights/hammers |
Metal graded |
Key Tops |
Neotex |
Neotex |
Simulated ivory |
Simulated ivory |
Key Length |
20.5” |
15.5” |
14” |
14” |
Escapement Let-Off |
Yes – Natural |
No |
Yes – simulated |
Yes – simulated |
Key Action Sensors |
Contact-less optical |
Contact-less Optical |
Physical Triple sensor |
Physical Triple sensor |
Pedals |
Real Grand mechanism rail |
Real Upright |
Simulated Grand feel pedals |
Simulated Grand feel pedals |
Half-Damper Sustain |
Yes |
Half damper sustain |
Yes |
Yes |
All Sounds |
100 |
100 |
96 |
96 |
Acoustic Piano |
17 total pianos 10 render, 7 XL |
17 total pianos 10 render, 7 XL |
30 total pianos. Render (5+5) |
30 total pianos Render (5+5) |
Competition & |
No |
No |
Yes – 2 |
Yes – 2 |
Instrumental Sounds |
83 – strings, |
83 – strings, |
66 – strings, organs, |
66 – strings, |
Max Polyphony |
256 notes |
256 notes |
256 notes |
256 notes |
Virtual |
21 Parameters |
21 Parameters |
20 Parameters |
20 Parameters |
Reverb/ Ambience |
10 Render Ambi 6 XL Reverb |
10 Render Ambi 6 XL Reverb |
10 Render Ambi 6 XL Reverb |
10 Render Ambi 6 XL Reverb |
Other Effects |
24 types |
24 types |
24 types |
24 types |
Display Screen |
Embedded 5” color |
Embedded 5” color |
Embedded 5” color |
Embedded 5” color |
Basic functions |
Touch, dual, split transpose, 4hd |
Touch, dual, split, transpose, 4hand |
Touch, dual, split |
Touch, dual, split |
Drum Rhythm |
Yes – 100 |
Yes – 100 |
Yes – 100 |
Yes – 100 |
Concert Magic |
Yes – 176 songs |
Yes – 176 songs |
Yes – 176 songs |
Yes – 176 songs |
Recording & |
MIDI, Audio MP3, |
MIDI, Audio MP3, |
MIDI, Audio MP3, |
MIDI, Audio MP3, |
Additional |
Line in recording |
Line in recording |
Line in recording |
Line in recording |
Bluetooth Wireless |
Yes – Audio & MIDI |
Yes – Audio & MIDI |
Yes – Audio & MIDI |
Yes – Audio & MIDI |
Connectivity |
2 headphone, 2 MIDI, USB to host, USB to thumbdrive |
2 headphone, 2 MIDI, |
2 headphone, 2 MIDI, |
2 headphone, 2 MIDI, |
Additional |
¼” line outs, 1/8” stereo in |
¼” line outs, 1/8” stereo in |
¼” line outs, 1/8” stereo in |
¼” line outs, 1/8” stereo in |
Internal top speakers |
4” x 4 speakers |
3.2” x 4 |
4.7” x 2 with diffusers |
4.7” x 2 with diffusers |
Internal dome |
.5” x 2 speakers |
.8” x 2 |
2” x 2 |
2” x 2 |
Front speakers |
no |
no |
3.2” x 2 |
no |
Woofer |
8” x 1 speaker |
no |
no |
5.1” x 2 |
Wood soundboard |
No |
Yes Twin drive |
Yes Twin drive |
No |
Internal amplifiers |
135 watts total 50w + 50w +35w |
135 watts total 50w + 50w +35w |
135 watts total 50w + 50w +35w |
110 watts total 55w + 55w |
Cabinet |
58” wide X 25” deep 48” high with music |
59” wide x 18” deep 43” high with music |
57” wide x 19” deep 40” high with music |
57” wide x 19.5” deep 45” high with music |
Cabinet weight |
291 lbs |
249 lbs |
182 lbs |
169 lbs |
Cabinet colors |
Polished ebony |
Polished ebony |
Satin black, |
Satin black, |
Factory warranty |
5 years parts & labor |
5 years parts & labor |
5 years parts & labor |
5 years parts & labor |
Kawai “Piano Remote” |
Yes |
Yes |
Yes |
Yes |
If you want more info on new digital pianos and LOWER PRICES than internet discounts, please email us at tim@azpianowholesale.com or call direct at 602-571-1864.
How much for the NV10 in US? I don't want to get scammed. 15999$ is way out of the line for me
I have nothing to do with Kawai retail or discount pricing. Piano stores in the US discount their piano prices lower than retail price. I would advise that you go into a US Kawai authorized store and find out what their discount price is on that model and then you'll know if you can afford to buy one.
Hi Tim, what are your thoughts on the CA58 vs CA78 vs CS8. thanks
Hi Tim! I really wanted Kawaii CA89 but local music stores around my area say” it’s been discontinued “ then try and push the CA99. CA 79 is more for my budget but find local dealers wanting $4,999 pretax and $150 delivery charge. I live in North Las Vegas. I plan to have my piano in the living room ( first floor) and yes I have room for it!
May I email you? I will need financing for 3 years. Can you help me?
yes, you can email me
Hello Tim, Thank you for your review of these Kawai digital pianos – very helpful, in my case particularly in respect of the Kawai NV10s.
Your reviews are particularly helpful in that all of the important conclusions reached are backed by detailed evidence which is clearly presented. On the back of your reviews would-be purchasers when they come to try the instruments for themselves have practical frameworks and pointers which they can use more confidently to evaluate matters for themselves. Thank you very much for that.
Two specific suggestions, if I may: (i) the inclusion of 'upweight' amongst the parameters shows you have a deep understanding of the feel of an action and how that might be determined (beyond merely 'subjective' considerations and individual preferences which of course will always be of prime importance). As you know, in general apart from the few hybrid models with the full action (minus the hammers) of an acoustic piano (such as the NV10s, the NV5s and the AvantGrand series), the upweights of digital piano actions are significantly higher than those of acoustic pianos, particularly so of acoustic grand pianos. The issue arising from this is that relatively high upweights can create a feeling of 'key pushback', a phenomenon which those of us used to playing acoustic grands can find very uncomfortable. High upweights as you know also, ceteris paribus, mean higher overall touchweight which in turn can make all the difference between an action feeling controllable or less so (particularly in rapid passages). So my first suggestion is that you continue to include upweight in the parameters you measure and discuss in your reviews.
(ii) In regard to the Kawai NV10s, I have found that the velocity curve is steeply concave, specifically from mp through mf to f. In practical terms this means in play that it is relatively more difficult for those of us who are not virtuosos to gradate one's dynamics smoothly. Consequently sudden lurches from one dynamic to the next are more likely, as though only a couple of distinct dynamic levels become playable rather than being able to execute a continuous, analogue type, progression (when that is needed, which is quite often in 'classical music'). This same point applies even more to the Roland LX708. However in complete contrast to the latter, the velocity curve of the new Roland GP-9 is almost perfectly linear across the whole of the dynamic range from ppp to fff. So my second suggestion is that you consider including 'velocity curve' as a standard additional parameter which you then discuss, perhaps beginning with the Roland GP-6 and the Roland GP-9 when you come to review those instruments.
On a related but different topic: if on the back of their remarkable breakthroughs with the GP-6 and GP-9, Roland can now solve the problem of pushback/high upweights (which prevails for all of their actions) they could if they wanted to, thereby become a formidable competitor in the acoustic piano market itself. {Briefly: my specific idea on the reduction of pushback is the inclusion of magnets as part of the mechanism of key return in Rolands' actions with the strength of those magnets controllable (within parameters) by pre-set (in Piano Designer') by the individual player to suit their preferences.)
Impressive info and excellent analysis in many ways. Always helpful in getting different perspectives like this one. Thank you