If you did not press the damper pedal down and just pressed the key down and then immediately let it back up, the sound would stop or be damped…hence the name damper pedal. The strings are always damped or muted when the pedal is up and not pushed down with your foot as long as you lift the key up immediately after you play it. Once you press the pedal down then all of the dampers, which are on a damper rail, come off the strings for the time the pedal is held down. As long as the pedal stays down, the keys that are being played on the piano which strike the strings to make the sound, will continue to be heard and ring out until you let the pedal come back up or when the string(s) stops sustaining and vibrating on its own, whichever comes first.
As an example, if you pushed the damper pedal down and didn’t let it come back up and then played a very low bass key, you would hear that bass string inside the piano continue to make sound until you released the pedal back up. The bass strings are large and thick (left pic) and therefore will normally have a much longer time of natural sustain than higher strings when the pedal is pressed down. As I mentioned earlier but it’s worth repeating, natural decay time on a real acoustic piano which is the time it takes for the sound to fade away after striking a key while holding the pedal down, can be as short as a few seconds on the high strings to about 50 seconds or more on the low bass strings depending on the the size (depth) of a grand piano or the height of an upright acoustic piano.
Other considerations are whether he piano is new or used and the quality of the strings themselves. Wow, 50 seconds or more is a long time for the sound to continue to be heard without interruption, and during that 50 second sustain decay time on the low bass strings in a big grand piano (with the damper pedal held down), the volume is decreasing slowly & evenly over that time so that it gets more difficult to hear the sound until it’s GONE. Are you understanding all this yet?
With the dampers up off the strings when you press the damper pedal down, you get a resonant, big, full, piano sustaining sound, especially when playing many keys at the same time. The piano sound can become very beautiful that way and makes you sound even better than you are because that extra resonating sustain time covers up mistakes you would hear more clearly if you did not push the damper pedal down. However, without pressing the damper pedal down, then all the notes play in a staccato (quick) fashion where the sound is immediately heard and then stops as soon as you let go of the key. I have heard children/students in my music studio play piano holding the damper pedal down with their little foot and when they just play on most any key, it just sounds better that way.

It’s funny to watch the younger kids 4-6 years old lean off the edge of their piano bench so they can get their foot on the pedals since their legs are not long enough otherwise:). In the beginning, especially for smaller children, playing the damper pedal is not important because the student is learning about fundamentals of piano music such as rhythm & timing, note reading, fingering movement and position, and other aspects of playing.
But once they become more proficient, then using the damper pedal becomes important so they can actually play the music the way it was intended to be heard. It really doesn’t take long for this to happen and kids love to push on the pedal because they think it’s fun and makes their music sound cool:)
An important aspect in damper pedal use and the effect it has on the piano sound is how far down you push the pedal, which determines how far off the strings the dampers are. This kind of behavior is known as half-damper or variable sustain. If the piano pedal is up in its normal resting position, the felt dampers are on the strings stop the sustain piano sound. If the pedal is pressed all the way down, the felt dampers are completely off the strings so the sustain effect is completely on maximum. However, in a real acoustic piano, the felt dampers can also be partially on the strings but not completely on or off. This happens when the pedal is pressed approximately half way down.
A real acoustic piano has this middle area of sustain which is not quite off and not quite on. It’s a transitional point when playing music and using the damper pedal. It occurs naturally on all acoustic pianos and is something which is necessary to have. If you are a beginner, then that natural half-pedal effect will be of little or no importance to you and you will probably not notice it. But as you progress and become more proficient in your playing, you’ll want to know your piano can do this half-pedaling and that it becomes a part of playing the piano.
On most digital keyboards which have less than 88 keys and the keys are not weighted, including some keyboards that have good piano sounds, there is usually no half-damper pedal effect when pressing the basic pedal down. Most keyboards only come with one damper/sustain pedal (left pic) which is OK, but if that pedal cannot digitally reproduce the authentic characteristics of real acoustic damper pedal playing, then I call that a concern if your goal is to play piano music correctly and you are at or want to be at a higher playing skill level. If the instrument pedal cannot produce the half-damper effect, then you need to consider that before making a purchase. Most piano pedals on digital keyboards and furniture cabinet pianos look very similar so you cannot just tell by the looks of the pedal if it actually will operate like a real acoustic piano pedal. You need to look at the actual piano specifications to know for sure.
In the world of portable & furniture cabinet digital pianos, some of those pianos either cannot produce the half damper effect at all, or in the case of some portable 88-key weighted digital pianos, you would need to buy an option single pedal that would be able to do that and that typically adds between $50-$75 extra to the cost, but it’s worth it. In the case of specific brands of digital pianos which cannot support half-damper effect at all, most every piano model in the
Kurzweil and Williams brand for example cannot do the half-pedal effect and there is no way to change it or add it.
The Kurzweil and Williams damper/sustain pedal operates like a keyboard pedal in that way so I do not recommend those pianos for that reason, unless you are at a low playing skill level or you just don’t care and like the pianos otherwise. If you don’t care, then the damper pedal without the half-damper effect may be fine for you, although there may be other things lacking in the pedal sound. But just be aware that if that function isn’t there and you want it later in that piano (including pedal resonance and natural echo), you won’t get it.
In addition to the half-damper function, when the piano dampers are lifted off the strings in a real acoustic piano by pressing the damper pedal down, a certain amount of natural echo or reverb is heard inside the chamber where the strings are located in the piano. This natural reverb echo along with the natural vibrations of the strings when the dampers are pushed away from the strings, create what is known as
damper resonance. This effect only occurs when the damper pedal is pressed down and the keys are played. Damper pedal resonance is a part of the entire piano sound that you would hear when playing music on an acoustic piano.
Without this naturally occurring element in acoustic pianos, those pianos with likely sound almost fake and unrealistic, like you had cut something out of the sound. Whether or not a person can actually hear all of these naturally occurring organic elements that occur when using the damper pedal is directly related to their piano playing experience and their piano skill level, and even the type and age of the piano they are playing.
OK…so how does all this impact a digital piano? In a digital piano, with very few exceptions, there are no actual dampers with felt on them, no strings, no actual hammers with felt on them, and no full length organic pedal mechanisms that attach to dampers. The physical pedal feel is important just like it is on an acoustic piano including the pressure it takes to push down the pedals with your foot, the pedal resistance coming up, the pedal height off the ground, and even the spacing and color of the pedals. All of these things make a difference in the piano pedaling experience for beginners or professionals. The pedaling sustain
sound itself is
simulated electronically in digital pianos including the damper pedal resonance, the half-pedaling with everything being digitally reproduced, and what comes out of the speakers in these digital pianos when pressing the pedals.
Many digital pianos have speakers built in (left pic), and with only a few exceptions, most have no wood soundboards like acoustic pianos do. So the piano sound you are hearing in almost all Yamaha, Roland, Kawai, Casio, Kurzweil, and other brands of digital pianos is
digitally reproduced, as I mentioned before. The digital piano pedaling systems are not created equal when it comes to the piano sound you hear through those speakers. In fact, many of them are cheaply made either in the actual pedal construction, materials, or the way they work in reproducing a natural damper pedal experience. I want to say right now “
if you don’t pay attention to the way the piano pedals work on a digital piano before you buy it, including the movement of the pedals and the piano sound they help produce, you may be very sorry.“
In digital pianos, some or all of the proper acoustic piano pedal traits may be missing from the playing experience in different new brands and models including having a good, longer damper pedal sustain time (decay time) coming from all strings when the keys are being played, the half-pedal effect, damper pedal resonance echo/reverb, sympathetic vibrations of the strings when the dampers come of the strings, damper noise (the movement of the dampers and damper rail makes a bit of noise in a real piano), proper pedal weight, proper pedal height, durable pedals, etc. The question is, does the digital piano(s) you are shopping for have these pedal functions and effects, along with having quality pedal construction?
There are some piano brands, especially many of the off-brands from China selling at Costco and Guitar Center which in my opinion have very low quality pedal functions and effects as well as low quality materials and construction, so we recommend you try to stay away from those brands and models if you want a more realistic piano pedal experience along with better key action realism because the key action and sound realism on those brands are also normally not very very overall.
It is important to note that I did not discuss the middle and left pedal in this report because they are seldom used as compared with the damper sustain pedal, but do have there place in music and piano playing and should not be overlooked. The middle pedal is called the sostenuto which sustains the only the notes that you play when holding down the pedal and any subsequent notes after that while still holding down the pedal are staccato notes. So the middle sostenuto pedal is a simultaneous mix of sustain notes and quick staccato notes.
The left pedal (aka: soft/una corda) allows you to control the volume of the notes you are playing and it lowers the volume a bit on all the notes being played while you are holding that left pedal down. The other two pedals (sustain or sostenuto) can also be used simultaneously (one or the other) along with the left soft pedal at the same time to give you volume control and sustain as an example..
However, for the vast majority of piano students and recreational piano players, it’s the “damper-sustain’ pedal which is most important and a part of the piano buying decision that needs to be considered when doing your research and trying out pianos. There are a few other aspects and details of piano damper pedaling in acoustic & digital pianos that I did not talk about here such as the
speed at which the dampers come back down on the strings in an acoustic piano when the damper pedal is released, called
Key-Off effect. This effect is reproduced in certain digital pianos increasing the authenticity of the true piano sound and pedaling experience. However, I wanted to keep this content as simple as I could and not get too caught up in minute details which most people shopping for digital pianos may likely not recognize when they hear them.
At the end of the day, especially if you are a beginner, learning to play the piano damper pedal correctly and to know when to press the pedal while playing your music does take time to learn and it’s not usually something you start using until you’ve been taking lessons for at least 1 year. For some people using the pedal to enhance the your playing experience comes more naturally and for other people they need to really work at getting the technique down and to understand how the damper pedal fits in to their overall piano playing & musical enjoyment. When shopping for a new digital piano, the pedals are important, especially the sustain damper pedal, and those pedals need to work well. So before you make a piano purchase, definitely do your research and homework and contact me if you have questions as I will be happy to help.
If you want more info on new digital pianos and LOWER PRICES than internet discounts, please email me at tim@azpianowholesale.com or call direct at 602-571-1864.
I really like the sound of an upright piano with the soft pedal engaged. I have come across some virtual instruments (e.g. Felt Piano) and even an iPad instrument (Soft Piano in iGrand), but haven't yet found a digital piano with a good soft pedal sound. Are you able to make a recommendation? Ideally I'm looking for a furniture model in the 1000 – 2000 USD range.
I have played many digital pianos that have had an acceptable soft pedal including Roland, Kawai, etc in different price ranges. On some of those pianos you can also change the piano voicing to a mellow and softer tone to emulate a soft pedal. So there are different ways on different models to get what you want. Curious as to what pianos you played that did not have a soft pedal that was acceptable to you?